Exposing PseudoAstronomy

July 3, 2013

Preview of #TAM2013 Workshop 1A: “How Your Camera Lies to You: From Ghosts to UFOs, a Skeptics’ Guide to Photography”


The Amazing Meeting www.amazingmeeting.com #TAM2013

WORKSHOP 1A • HOW YOUR CAMERA LIES TO YOU • 8:00-9:30A.M.

So much “evidence” today for paranormal claims stems from photographic and vidographic depictions.  The vast majority of these are based on well known but unidentified anomalies based in photographs and videos are made, while many others are intentional hoaxes.  We’ll take you through many of the key anomaly types by using actual claims that are made based on them.  We’ll also show you how real scientists know about these and are able to remove a lot of them from their data.  Finally, we’ll take you through some actual hoaxes and discuss ways to determine how they were done and why they are more likely to be hoaxes than real.  This will be interactive: We’ll be asking you to participate along the way and see if you can figure out how some of our examples were done.

TAM 2013 Workshop 1A Title Slide

TAM 2013 Workshop 1A Title Slide: “How Your Camera Lies to You: From Ghosts to UFOs, a Skeptics’ Guide to Photography”

 


Introduction

As I announced a few months ago, and is now apparent at the top of the official schedule, I will be co-presenting a workshop entitled “How Your Camera Lies to You: From Ghosts to UFOs, a Skeptics’ Guide to Photography.”

I’ve now presented two drafts of the workshop in talk form at the Denver and Colorado Springs Skepticamps, and Bryan (the co-presenter) and I have met a few times and are near a final version. As such, I want to give a preview of what you can expect if you come (and if you’re going to TAM and will be there Thursday morning, you should definitely go to this workshop!).

Original Description

First, we’ll take you through a brief history of photography, from daguerrotypes to polaroids to cameras around Mercury, to learn about how images are taken and processed. In the next phase, we’ll show you processing tips and tricks and what Photoshop is really doing when you tell it to “Reduce Noise” or “Auto-Levels” and how every processing step can introduce more anomalies. During the last third of the workshop, we’ll go through numerous examples of claimed paranormal, supernatural, or alien images and take you through how to analyze them to figure out what’s really going on. This workshop will be interactive with the audience being asked to guess what manipulation has been applied and how they would start to analyze each new image for what may be really shown.

That was the description that I wrote back in January when originally planning this. I’m a very linear thinker. The idea of talking about how cameras work, then anomalies that take place due to how they work, and then paranormal claims based on those anomalies made total sense to me and is probably still how I would do it if I were teaching a university course.

Revising

Bryan is a much more abstract thinker. His talks are frequently a lot of pictures up that he and Baxter just talk through and discuss, sometimes forgetting that they even included them in the presentation. The workshop has ended up being something of a mesh of the two that I think works out better than either extreme.

Here is a revised description:

So much “evidence” today for paranormal claims stems from photographic and vidographic depictions.  The vast majority of these are based on well known but unidentified anomalies based in photographs and videos are made, while many others are intentional hoaxes.  We’ll take you through many of the key anomaly types by using actual claims that are made based on them.  We’ll also show you how real scientists know about these and are able to remove a lot of them from their data.  Finally, we’ll take you through some actual hoaxes and discuss ways to determine how they were done and why they are more likely to be hoaxes than real.  This will be interactive: We’ll be asking you to participate along the way and see if you can figure out how some of our examples were done.

Rough Topic List and Outline

There’s a lot of stuff that I wanted to fit in this workshop. Heck– I’ve done two podcast episodes dedicated to this material and most of the stuff I discussed in them didn’t make it into the workshop. This could easily have been four hours long if I had my way, but I don’t think anyone would want to go to that. So, Bryan and I have settled on a few of the anomaly types that we think form the majority of ghost-type and astronomy-type claims out there (and can also be applied to other claims), then I get to talk about how astronomers process photographs, and then we’ve settled on five hoaxes to round the workshop out — two ghost-type, three astronomy.

I should preface this list that it is still subject to revision, and it may be truncated if we run short on time. But, as currently planned, the topic list of anomaly types is:

  • Double Exposure
  • Forced Perspective
  • Long Exposures & “Night Mode”
  • Obstructions in the Optical Path
  • Optical Reflection and Refraction
  • Lens Flares
  • Hot Pixels
  • Noise
  • Pareidolia
  • Finite Resolution
  • Compression

Examples of these include, but are by no means exhaustive: Cities on Mars and the Moon, ghosts, reptilians, geoglyphs, orbs, UFOs, and Planet X.

Interactivity

Workshops, as opposed to TAM talks and panels, are meant to be interactive. Or at least, they are supposed to be (many aren’t *cough*ScienceBasedMedicine*cough*).

We have some planned, besides the obvious, “Please interrupt us if you have a question!” and questions at the end, and send any feedback to us at this email. One is where we ask if anyone can find the ghost in some images. Another is for all the hoaxes, asking the audience to spot the red flags and what the steps of investigation should be or could be. During some of the anomalies discussion (bulk of the workshop, probably the first ~50-60 minutes), we’ll be doing a live photography demo and asking in some of the cases what you/they (the audience) thinks may be going on — even though we’ll be giving the broad category (like, “crap on the lens”), the question of exactly what’s going on is still not always obvious.

Final Thoughts

This should be a really cool workshop, one that I don’t think has been done at TAM in a long time, if ever. You have a pro and semi-pro photographer (I’ve sold some stuff!) and this year’s only TAM presenter who’s an actual astrophysicist (me!). We’re also the first workshop, a great way to launch your TAM-affiliated activities.

So, if you’re going, come to the workshop! Ask questions ‘n’ other things! There may be delicious prizes!

If you’re not going, but you think this’ll be interesting, help spread the word (Twitter, Facebook, direct e-mailing to friends who are attending, sky writing, smoke signals, etc.).

May 10, 2013

Podcast #74: The True Color of Mars


Conspiracy strikes!
But Stuart says, “Mars’ color
Is natur’ly red.”

This episode is hopefully the last for a few months on image processing gone horribly wrong. I swear.

This one is an episode I’ve been wanting to do for awhile — at least since last year — but I had been putting off because I didn’t want to listen to Richard Hoagland again and take detailed, dense notes. And I’d covered Richard a lot recently. And I’d done a lot of image analysis episodes. The claim is that the color of Mars is fake, that it really should look like Earth. And since no space agency’s photos look that way, they’re all fake color.

The episode includes has two Coast to Coast clips (both Hoagland), Q&A, feedback, and a puzzler! The episode is around 40 minutes long.

December 1, 2012

Podcast #56: Photography Claims of the Apollo Moon Hoax, Part 3


Sorry this is coming out a few hours late (though earlier than some), but the fact that I can speak clearly today was a surprise. Anyway …

This episode is the third of likely just three on photography claims people make that supposedly show the Apollo lunar landings were faked. Claims addressed are:

  • Why Can’t We Image Apollo from Earth?
  • Lens Flares are present when they shouldn’t be because they were using the best possible lenses
  • The backgrounds in some photos aren’t right …
  • Who took Video of Neil Armstrong Descending onto the Moon and the LM lifting off the Moon?
  • The American Flag is Always Lit Regardless of Side
  • There Are No Stars!
  • The “C” Rock.

This is also a “full-fledged action-packed” episode featuring all other segments: New News, Q&A, Feedback, Puzzler, and an announcement.

The announcement is: Though it’s a bit early to say for certain we’re not all going to die this December 21, I’m starting to look for back-peddling by doomsday proponents for a follow-up episode very early next year. If anyone listening to this podcast happens to come across something by anyone who claimed stuff like Planet X would cause a pole flip, a big solar storm would wipe us out, or even on the positive side that we’ll all be able to levitate and do instant healing, and you see these people start to make up excuses for why it’s not happening, please send it in!

P.S. I tried a new noise removal setting in this episode as well as a different equalizer. I also saved it at slightly higher bitrate. Let me know if there are still issues, or if the audio at least sounds any better.

May 16, 2012

Podcast Episode 35 – Apollo Hoax Photos, Part 2


Slightly late, episode 35 has been posted. I go over four photography claims dealing with crosshairs and shadows.

I’m also considering experimenting with making this episode (and potentially some other visual ones) into YouTube-type videos. Let me know what you think.

Oh, and this episode introduces a new segment — new news related to previous episodes.

April 15, 2012

Podcast Episode 31: Photographic Claims of the Apollo Moon Hoax (Part 1)


In this latest episode, I talk about some of the main photography claims that people point to in perpetuating the Apollo Moon Hoax idea, or why we supposedly did not go to the Moon with astronauts between 1969 and 1972.

This is a Part 1 edition, though the Part 2 will come in around a month or so. This one focuses not on the photographs themselves, but claims that the astronauts could not have taken them. Part 2 will address many of the main claims about what’s in the photographs as opposed to the existence of the photographs in the first place.

I also have a different kind of puzzler this time. This is a photography challenge, of sorts, where your challenge (should you choose to accept it), is to take a photo of the moon and a photo of stars. Then, use the settings you used on the moon to try to take photos of stars (and see what happens), and then use the settings you used to actually get stars and take a photo of the moon (and see what happens).

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